#103: SCREENIES 2018 — LAST HURRAH BEFORE HIATUS

Paul and Elgin share their picks for

  • best scene,
  • best performance, and
  • best overall work

across all of screendom in the past 12 months.

The final edition of the annual screenies awards before we go on indefinite hiatus.

We bid you a bittersweet goodbye.

Thank you, all, for listening over the past five years!!!

We really appreciate your attention and time.
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#102: BLACKKKLANSMAN

BlacKkKlansman.

Elgin and Paul review #BlacKkKlansman:

BlacKkKlansman, directed by Spike Lee and written by Charlie Wachtel and David Rabinowitz, and starring John David Washington and Adam Driver. We share our takes on Lee’s latest joint–and they’re both against the critical consensus.
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#101: CRAZY RICH ASIANS

Crazy Rich Asians, with briefer takes on Mission: Impossible–Fallout, Howard’s End on Starz, Wild Wild Country, and How to Make It in America.

Paul and Elgin review #CrazyRichAsians:

Crazy Rich Asians (35:35), directed by Jon M. Chu from the screenplay by Peter Chiarelli and Adele Lim, based on the novel by Kevin Kwan, and starring Constance Wu, Michelle Yeoh, and Henry Golding. We give our takes on the first major motion picture with a nearly all Asian cast from a Hollywood studio since The Joy Luck Club (1993).
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#100: A VERY ENGLISH SCANDAL

A Very English Scandal.

Paul and Elgin review A #VeryEnglishScandal:

A Very English Scandal on Amazon Prime (originally on the BBC), written by Russell T Davies, directed by Stephen Frears, and starring Hugh Grant and Ben Whishaw. This three-part minseries tells the stories of Jeremy Thorpe (Grant), a Member of Parliament, and Norman Josiffe/Scott (Whishaw), a stable hand (and later a model). The former tried to have the latter killed in order to ensure their past relationship would remain out of the public eye. Thorpe was put on trial for conspiracy and incitement to murder, and while he was acquitted, his political career was ended. We talk about the two leads’ performances, the pacing of the three nearly hour-long episodes, and what the series says about gay life and British politics and society in the 1960s and ’70s.
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